1,920 Royalty-Free Audio Tracks for "Frequency Modulation Synthesizer"

This audio file is a stem (single track) from the full song "Synth pop with 4 on the floor" by Mesostic. It was provided to allow for remixing, reproduction, and extension of the original. Synth pop with 4 on the floor This stem is the synth lead, created with the free U-He Tyrell N6 soft synth.

This audio file is a stem (single track) from the full song "Synth pop with 4 on the floor" by Mesostic. It was provided to allow for remixing, reproduction, and extension of the original. Synth pop with 4 on the floor This track is the stepped pad, was made with the free OB-Xd synth and the Volume stepper applied on stem 7 (Send).

This audio file is a stem (single track) from the full song "Synth pop with 4 on the floor" by Mesostic. It was provided to allow for remixing, reproduction, and extension of the original. Synth pop with 4 on the floor This stem is the Volume stepper automation track

This audio file is a stem (single track) from the full song "Synth pop with 4 on the floor" by Mesostic. It was provided to allow for remixing, reproduction, and extension of the original. Synth pop with 4 on the floor This stem is the drum track, created with the free MiniSpillage drum synth.

Another free instrumental by anonymous producer mesostic. At a slow tempo, and with dissonant synthy chords, this is the perfect track for a hardline rapper to spit out some lines to. Or maybe it would make a great quirky soundtrack to your next homespun film project. The song was written in Ableton Live using Ableton core instruments and the U-He Diva soft synth on the lead line. Mesostic has also shared all stems here on Wikimedia for your remixing, extending and sampling delight.

Cutted parts of an audio experiment using carbon electra saws with some internal pitch envelope going on, going into trash 2, going into eq modulation, going into manipulator (formant & pitch shift, a bit fm modulation on a shifting frequency at times), going into ott.

Zeitansage Dt. Telekom 1997

Mozart Minuet from Trio K498, bars 76-86

This file is one audio stem of five from producer mesostic's "Friendly Evil Gangsta Synth Hip Hop" instrumental which he released for rapping over, remixing and any other use in the Commons. Friendly Evil Gangsta Synth Hip Hop Stem 1 is the gliding lead, recorded on the U-He Diva softsynth.

This file is one audio stem of five from producer mesostic's "Friendly Evil Gangsta Synth Hip Hop" instrumental which he released for rapping over, remixing and any other use in the Commons. Friendly Evil Gangsta Synth Hip Hop Stem 4 is the pad track.

This file is one audio stem of five from producer mesostic's "Friendly Evil Gangsta Synth Hip Hop" instrumental which he released for rapping over, remixing and any other use in the Commons. Friendly Evil Gangsta Synth Hip Hop Stem 2 is the organ track, with funky delay.

This file is one audio stem of five from producer mesostic's "Friendly Evil Gangsta Synth Hip Hop" instrumental which he released for rapping over, remixing and any other use in the Commons. Friendly Evil Gangsta Synth Hip Hop Stem 3 is the drum kit, using Ableton's standard 808 samples and some funky production.

This file is one audio stem of five from producer mesostic's "Friendly Evil Gangsta Synth Hip Hop" instrumental which he released for rapping over, remixing and any other use in the Commons. Friendly Evil Gangsta Synth Hip Hop Stem 5 is a dark bass line, created using a bespoke sub bass instrument created in Ableton's Sampler.

Music piece by Camille Allam: Beirut Synths-Organ Morceau Musical par Camille Allam intitule: Beyrouth Synth-Orgue

Thought i wanted to explore fm-modulation a bit further. The sound is going through my ladik reverb. The vco i'm fm-modulate is the intellijel μvcf. A filter really. . . No editing in audacity. This is the result. Sorry for long sound. . .

Alien xxx sent me a “cross modulation challenge”. I have tried to be true to his idea, but added automation, so to speak. Oscillator1 is constantly fm-modulating oscillator2. I vary the frequency of oscillator1 with an lfo. The output of oscillator1 is sent to a) left audio channel and b) in to oscillator2. The output of oscillator2 is fed to oscillator1. The degree of cross fm modulation is controlled by a vca controlled by another lfo. The output of oscillator2 is also sent to right audio channel. As i’m writing this i have just made a theoretical patch on a piece of paper. The result is what you hear. No effects added. Straight out of the modular for better or worse.

One classic passive ring mod based on 2 transformators and one vca based.

OGG rendition of the MIDI file of Mozart's K. 520 (315 kB)

As a homage to freesound. Org for being a member for over 7 years under the name "djeuphoria", i present the freesound community with some unique sounds i've created recently using loads of different plugins and synthesizers that i've been acquiring over the years that has slowly turned into a massive collection. So with that being said i'm going to be periodically adding sounds to my "dream sample pack" so you can all hear the sounds i've been creating under my new nickname "dream", thank you all for the downloads, its awesome to see how terrible my sound quality was and how much i've improved from that, enjoy these awesome synth sounds i've engineered, cheers. -dreamp. S, most of the melodic sounds are recorded in the key of c for convenience and all foley sounds are recorded with a zoom h4 at 44khz.

This is a simple electronic bass kick, fairly thick sounding.

Error sound.

Little soundeffect which reminds of old videogame sounds. If you like this make sure to check my soundcloud: http://soundcloud. Com/beverlyhillsboy cheers!.

Part of qso with i1ulj. He used home-brew tx - power only 3 watts. Good strength but ac modulation. My antenna low doublet 80 m. Recorded: nokia 6230i, trx loudspeaker - phone mic (ft-897, qth jn79nd).

Mozart Piano Concerto K482 opening

Frequency modulation tone of a modular synthesizer.

Siren effect with digitally controlled frequency sweep using 96khz crystal controlled oscillator, 8-bit binary counters set up as a variable frequency divider. I added slight reverb.

Alien female and animals voices modulations and sound effects fragment 01.

High pitched tv frequency.

Example of producing a beat frequency - two seconds of 110hz tone, followed by two seconds of 118hz, to form an 8hz beat frequency. Sound generated using the go-sound golang programming library:https://github. Com/padster/go-sound. As part of the demonstration program:https://github. Com/padster/go-sound/blob/master/runthrough. Go.

I needed just a piece of the "spark(fm_tri-90_sin-110)" for my next song. This is that little snippet. Thanks.

Soft static hiss from the radio airwaves with a slight buzz in the sound.

High pitch sound.

Large high pitch.

Upward frequency sweep.

Sonido ritmico de sincopa alta con un tempo de 120.

Small synthesizer made in pure data.

A scanning sound for a scanning thing for in games, like a medbay scan.

5 second sine-wave (loop) generated in soundforge. 16 bit 44. 100 hz. Wav file. Part of a pack inspired by the "colundi everyone" poster. Free to use as you like.

My plan was to make a simple krell patch with some added timbre on the voice. The patch got bigger, fm-modulation and feedback in different form was added.

Conjectural nonhuman technical generated language modulationsexomusicology inspired sonic object. "though musicology is defined as "the historical and scientific study of music," the term is typically applied only to the study of music from the european classical tradition. "ethnomusicology" is used to describe the study of nonwestern musical traditions and to the comparative study of different musical cultures. The more general term exomusicology (from the greek prefix exo, meaning 'external to' or 'outside of') is more appropriate to the study of nonhuman musical traditions, much as exobiology refers to the study of non-earth life forms, and exolinguistics to the study of alien languages"(sethares).

Selected parts from a longer recording. This is a modular synth controlled by quantussy cells. They are one method for creating generative music. I call it machine composition.

The source of this sound is https://freesound. Org/people/doomyd/sounds/530580/ - a clean electric guitar open a string. This sound has been processed using the harmonic plus stochastical analysis of the sms-tools package https://github. Com/mtg/sms-tools with frequency scaling and frequency stretching, to give a metallic flange & 2 octave bend effect.

A low frequency hum that will work on pc speakers (at least it does on my pc). . - i made this sound because i needed a deep hum for a composition, but as it turned out my pc speakers cut off low frequencies. A quick googling taught me that this is common for many pc's, but also that there might be ways around it in terms of designing waves that the speakers can produce. And so, after playing around with audacity abit, i came up with this low frequency hum that works well for my purpose at least. - i hope it might help others with similar issues.

Constant flame burner, very low and large frequency specs, used to melt asphalt recorded at 48-16 with portable dat using schoeps ms ball, edited and decoded in stereo in pt.

Field recording,includes frequencies below 21. 4khz very detailed. Equipment behringer ecm 8000mxl genesis fet.

This kind of generates random values at a certain frequency. In this example, the frequency is 200hz. The algorithm for this noise was created two years ago by myself in c++, as an imitation of noise generators in supercollider 2.

Slow flip along a portion of the am radio band using an analog receiver. Static and some talk.

A glitchey riser.